Knitting and Stitching show 2021

I have been going to the Knitting and Stitching show for many years – always in Harrogate. But this year, now I live in the South of England, I went to Alexandra Palace in London, just seen in the photo, beyond the lily pond in the park.

Ornamental pond in Alexandra Park, photo by Amanda Jane Ogden

This was my first visit to the place where the BBC (British Broadcasting Corporation) first sent out a signal. There is a blue plaque to mark this.

Blue plaque at Alexandra Palace, photo by Amanda Jane Ogden

There is an extensive view out over London from the terrace around the building.

View from Alexandra Palace, London, photo by Amanda Jane Ogden

I met my friend Rose at the entrance; it was nice to enjoy the show in her company. Now, I will share some of the highlights for me of this year’s show.

First of all, we encountered this astonishing wall of trees:

Part of ‘Thread Bearing Witness’ project instigated by Alice Kettle

The ‘Stitch a Tree’ project was part of a bigger project called ‘Thread Bearing Witness’, started in 2017 by Alice Kettle. Participants – who included refugees and others who are seeking asylum – were asked to stitch a tree. ‘The Refugee Resilience Collective inspired this project; they worked with children at a refugee camp to create ‘a forest of tree drawings’.

Part of ‘Thread Bearing Witness’ project instigated by Alice Kettle

This extensive piece ‘[De]Constructed Cloth’, by Hannah Lamb, caught my eye. It explores the rise and fall of the West Yorkshire textile industry, using cyanotype printing.

‘[De]Constructed Cloth’, by Hannah Lamb, photo by Amanda Jane Ogden

I loved the wit of this piece ‘I do believe we are muted’ by Philippa Moggridge:

‘I do believe we are muted’ by Philippa Moggridge, photo by Amanda Jane Ogden

This beautiful embroidered chair was just one of the delights on Kate Wells stand.

Embroidered chair by Kate Wells, photo by Amanda Jane Ogden

This close-up of the stitching reveals the extensive stitching which has produced the rich result above.

Embroidered Chair (detail) by Kate Wells, photo by Amanda Jane Ogden

On The Embroiderers’ Guild stand, this richly embroidered piece by Erin Ledsom ( a Hand Embroidery Degree graduate.

Embroidery by Ellen Ledsom, photo by Amanda Jane Ogden

Once again, the detail of the stitching shows the astonishing variety of stitch techniques providing the texture in the piece.

Embroidery (detail) by Ellen Ledsom, photo by Amanda Jane Ogden

The richness and variety of techniques in this embroidery ‘Spoon Fed Love’ by Maria Thomas about the task of feeding her family drew me in.

‘Spoon Fed Love’ by Maria Thomas, photo by Amanda Jane Ogden

…And just look at the row of Maria’s jackets with their wide variety of embellishment. I just loved these.

Jackets by Maria Thomas at the Knitting and Stitching Show 2021

Winners from this year’s Festival of Quilts were also in the show (so consider this a ‘follow-on’ to the FoQ post I wrote here).

This was such an attractive and cohesive group quilt, made by members of Bristol Quilters, to celebrate their 40th (ruby) anniversary.

Celebration ruby anniversary quilt by Bristol Quilters, photo by Amanda Jane Textiles

This quilt, by Valerie Mullally, was The Quilters’ Guild Challenge winner. It was inspired by a trip to Skellig island, Ireland and a Cornwall cliff walk. I liked the combination of impressions and images in the quilt.

The Quilters’ Guild Challenge winning quilt by Valerie Mullally, photo by Amanda Jane Ogden

This quilt by Sandra Newton was made during lockdown, using (according to the maker) ‘old print samples and leftovers’. Sandra was in the year above me when I did my City & Guilds Patchwork and Quilting course taught by Barbara Weeks. She went on to do the Diploma course and I watch her output with interest. this quilt won the Contemporary Category.

Contemporary Quilt category winner at the Festival of Quilts 2021 by Sandra Newton, shown at the Knitting and Stitching Show, photo by Amanda Jane Ogden

Finally, here are some gems from the 2020 Self Portrait Gallery. this redwork portrait is by Catherine Hill.

Portrait by Catherine Hill, photo by Amanda Jane Ogden

This delicate and emotive piece is by Lesley Wood.

Self-portrait by Lesley Wood, photo by Amanda Jane Ogden

This charming piece was by Aran Illingworth.

Self-portrait by Aran Illingworth

And this quirky, modern embroidery was by Deborah Collum.

Self-portrait by Deborah Collum, photo by Amanda Jane Ogden

What a rich and enjoyable day!

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For a pattern with some appliqué and some embroidery, go to my ‘Quirky Birds’ pattern, available here

Quirky-Birds pattern by Amanda Jane Textiles
‘Quirky Birds’ by Amanda Jane Textiles

Published by Amanda Jane Textiles

Artist, designer, maker and teacher

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