Textiles and decorations in Austria

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Followers of this blog will know that I love playing in the snow (also known as skiing). For information about what to wear for this most exciting of leisure activities should check here.  As a child, I was taken skiing to the Tirol in Austria and there is considerable charm in the traditional decor and style is this area. How’s this for a room number?

And this for an internal door fastening?

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There is considerable use of red and white in interior decorations, which inspires me to create  a quilt design in just those two colours. Here are some cushions that really caught my eye.  (Quilt design to follow in due course!)

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Seasonal decorations are also very engaging.  In an area which experiences such cold weather in the winter, maybe the arrival of Spring, and with it the Easter festival, are particularly important as causes to celebrate.  I thought this was beautiful

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This was the first time I have seen decorative Easter eggs on a fir tree. They were so effective.

Created with Nokia Smart Cam
Created with Nokia Smart Cam

There is so much pleasure to be had from decorative items, like this delightful rabbit.

To welcome the Spring and to look forward to Easter, I’ve done my own little bit of Spring planting:

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Now there’s another lovely colour combination (yellow, peachy-orange and green), just like the Easter Egg above – maybe a quilted patchwork cushion cover…

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This is my ‘Little Chalet’ fabric design. You can find it here.

Little chalet

Thank you for reading my blog. Quilt patterns are here, Fabrics are here, Classes are here

French seams

Following on from my last post, another ‘treat day’ in London might well involve a visit to the ‘Fashion and Textile Museum’ at 83, Bermondsey Street, London, SE1 3XF.

Until just recently, my sons’ office was also in Bermondsey Street, so I’ve had several opportunities to go to the museum before having a ‘catch-up’ with my sons. For example, I thoroughly enjoying the wonderfully colourful retrospective exhibition they presented of Kaffe Fasset’s work (paintings, knitwear, needlpoint and quilt designs).  I also managed to see ‘Knitwear: Chanel to Westwood’, marvelling at the knitted swimsuits  (they surely can’t have been comfortable?) and loving the large collection from the 1950s of patterned slip-overs in traditional patterns from the Shetland islands – which  could easily still be worn today.  This small museum  packs a big punch. The adjoining cafe ‘Teapod@FTM’ makes specialist coffees and teas, served with cakes baked  to a high standard – also recommended.

The reason for me going there in November, however, was to take part on one of their excellent courses. This one was led by Jolanta Cerniauskiene, who had been Zandra Rhodes’ dressmaker. It was worth the course fee, just to watch her demonstrate her skill on the sewing machine. The course title was ‘Couture Techniques’ and it promised to help participants learn to ‘work with difficult fabrics’ and indeed we did: fine silk chiffon and silk satin. (Contact www.ftmlondon.org for more information.) A number of techniques were covered, including the best way of doing French seams. The time spent in the sewing room was concentrated and intense; I think everyone felt tired at the end of the afternoon, when we left with our collection of sewn samples. All the materials were provided and the fabrics were just gorgeous.

I had wondered if I should ‘allow myself’ to do the course, as I’m probably more of a quilt-maker than dressmaker. However, in between producing patterns for sewing and quilting (click here to see them), and designing fabrics (click here to see them), I have in fact produced a made-to-measure jacket for a friend and have shortened two bridesmaids’ dress in ‘difficult fabrics’ since finishing the course and was glad to discover that what I had learned was directly relevant. Here’s one of the samples we made:

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Will I tell you how it’s done? No – you will have to sign up for a course!

Also at the museum, hanging in the foyer, was this dramatic and eye-catching piece by multi-media artist Sharon White, working with women who had been affected by breast cancer and linked to the charity ‘Breast Cancer Care’.

FTM embroidered piece

It is a large piece (190 x 105cm), entitled ‘Tree of Life’ and is made of bras (some of which have been autographed by celebrities). Its intention is ‘celebrating life and female strength’. It was very striking, and what a creative and imaginative up-cycling of underwear!

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If you would like to receive my special monthly newsletter, complete with colour inspiration, design inspiration and more, click here.

Do get in touch – I would love to hear from you.

This is my ‘Cephalopods’  fabric. You can find it here.

cephalopods
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